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Le Pain Perdu, by Michelle Schwartzbauer

Le Pain Perdu, by Michelle Schwartzbauer

Paris was hot. Avenues and side streets still held heat from the week before. Windows shut tight, drapes drawn to keep in the cool or flung wide to invite a breeze. Parisians left the city for the country soon after Fête de la Bastille. Hand-painted signs on shops and cafés read: fermé en vancances. I left early too, for the Seine, in search of cool.

I walked, connecting patches of shade, and crisscrossed my way on boulevard Henri IV to the Seine. On pont de Sully, I could retreat from the sun and stroll the long narrow street of Île Saint-Louie that cut through its center of restaurants, cafés, shops, ice cream parlours, and boulangerie — most, now closed for the season or because it was Sunday. I’d pass Saint-Louis-en-L’Île Church on my left and, soon after, my favorite pâtisserie, Calixte. It was too hot for a buttery croissant.

I stopped at Calixte, surprised that their counters were sparse. They, too, soon would be fermé en vancance. Inside the display were three trays: one held croissants, the other two tarts. Behind the counter were a basket of baguettes and an armful of boule on a shelf. Near the window was a porcelain platter, which held three slices of pain perdu, stale slices of pain de mie soaked in a rich-custard of cream and egg, sautéed and dusted generously with Confectioners’ sugar. In the center of each was a small apricot half, caramelized from sautéing in the pan with the pain perdu, in French, literally “lost bread,” (known also as French toast). I had never seen this confection in a pâtisserie or boulangerie; only on a restaurant menu — or in the kitchens of my grandmother and mother. I left Calixte, grasping my piece of childhood nestled in its brown parchment bag.

The air from the Seine was sweet and cool as I crossed pont Saint-Louis that linked Île Saint-Louis with the Île de la Cité. From the bridge, I could see the gardens of Notre Dame de Paris where I could sit on a green wooden bench in the shade of Horsechestnut trees and eat my pain perdu.

Din, dan, don. Din, dan, don, called out the bells of Notre Dame.

Frère Jacques, frère Jacques,
Dormez-vous? Dormez-vous?
Sonnez les matines! Sonnez les matines!
Din, dan, don. Din, dan, don.

Parlez-vous française? Grandmother would ask, parlez-vous française? Her question, asked twice in a row, always followed several rounds of Frère Jacques, the nursery song that we would sing together. She loved to sing, especially while she cooked. Unsophisticated at that age, I thought she named me “Polly Vu.” (French was not her native tongue.)

Sunday mornings grandma made French toast: leaving it to bathe for an eternity in custard of cream, egg and sugar. Without breaking, she would pierce the crust with a fork and slide it into a pan of heated butter where it browned and caramelized, first on one side before flipping it to the other. Plumped and with a heavy dusting of Confectioners’ sugar she transferred it to our plates, nice and hot.

Din, dan, don. Din, dan, don, the Parish bells from St. Joseph’s sounded, calling the neighborhood to services. From the dining room of my grandparents’ home, we would watch as the last sister scurried from the convent across the street to make it in time for 7:30 mass.

Now settled on my bench in the shade, I tore off a piece of pain perdu half-hidden inside its parchment bag then took a bite.

Din, dan, don. Din, dan, don, clamored the bells of Notre Dame rising above the hubbub of the city. I listened spellbound, sitting near the display of roses and small statues placed around the outside of the church, its flying buttresses and towering gargoyles.

Pigeons, corpulent and ripe for Coquelets sur Canapés, broke into chaos every time tourists’ hurled chunks of baguettes — playing games of divide and conquer with the stout gray- and white-plumaged birds. Order restored, armies of pigeons, following the leader, marched up the garden path and then marched down again.

Din, dan, don. Din, dan, don. A nun, in full habit, whooshed past a row of a dozen small roses: she ran fast — even faster — past the old church in Paris that was covered with vines and past a young, precocious child with curly blond hair tending a single rose which he tenderly protected with a wind screen and kept under a glass dome on his tiny spot. A haven for children, trying to tame the butterflies they chase.

Slowly, I ate piece after piece of this succulent treat, tender and delicious, protected inside its parchment bag: random bits of childhood.

The sweltering summer heat was too much. Dying of thirst, I tossed the last morsel high into the air before readying myself for the cool of the sanctuary inside Notre Dame.

Descending from the fearsome-looking Horsechestnut trees and towering gargoyles swirled thousands of birds, and from the mounds near the roses stormed legions of pigeons — a fierce, squabbling ruckus to catch the last piece of custard and bread.

I fled for the sanctuary of Notre Dame whooshing past the quarreling birds; past old men on benches and elderly women, shoes clattering on cobblestones; past babies in strollers; past the golden-haired boy tending his rose; and past a single, large red balloon floating over the gray-blue atmosphere of the old Paris quarter.

“Ah, le pain perdu.”

Pain Perdu 

By Mark Schatzker. ABC NEWS explore, Condé Nast Traveler, (June 12, 2008).

“Christophe Raoux of the L’école de Cuisine d’Alain Ducasse made this for me in Paris.” — Mark Schatzker


– Milk
– Cream
– Eggs
– Sugar
– Bread (It can be brioche, baguette, challa or plain old American white.)


– Crack two eggs into bowl
– Add sugar
– Beat the mixture
– Add milk (about ½ cup)
– Add cream
– Continue whisking until you get a consistent color.

– Pour the mixture into wide bottom dish or pan
– Now cut your bread into slices and drop them into the mixture
– Soak each side for five minutes.*
* That’s the secret. You soak it for a lot longer than you think.

Turn the heat on your range. Take your frying pan — now here’s the second secret and it’s a biggee. The first thing you add to the pan is sugar. Let the sugar sit in the heat for a while then add a little water. That’s going to start to boil. Go ahead and add a bit more sugar. Add butter… a whole ton.

So you got your butter, your sugar and your water boiling away. Roll it around until the liquid turns a golden brown. Now you are ready to add your bread.

Barbara Redmond, publisher of A Woman’s Paris® (AWP), is a long-time Francophile and travels to Paris every chance she gets — and has learned a lot along the way. Her stories about Paris and France have been published in AWP® and republished, with permission, by other blogs and publications. Barbara has presented programs on French fashion and food, and has been a guest speaker for students planning their study abroad. She serves as an advisory board member at the University of Minnesota College of Design and is an active student mentor. Barbara has been recognized for excellence in art by international and national organizations and publications. Prints of her fine are paintings are in collections in Europe and North America and are available for purchase.

You may also enjoy A Woman’s Paris® post, Boulangerie Poilâne: A toast to French Breads, by Barbara Redmond who shares her face-to-face encounter with the French baker during her visit to the 18th century ovens of Poilâne in Paris. Could she steal a pinch from the raw, soft-white boule in its proofing basket resting close by? The penetrating aromas of bread; strong, yeasty, and hot… Recipes included for Tartine Chocolat et Poivre (tartine of melted chocolate and black pepper), and La tartine For’bon (tartine of cheeses and ham), from Boulangerie Poilâne

Paris macaron, love in the afternoon, by Barbara Redmond who tells about the French women who vanished back into the streets of Paris, exiting Pierre Hermé, this elegant confectionary, each clutching her little cellophane bag of macaron, her Le goûter (afternoon treat). But, Frenchwomen do not snack… or do they? Paris locations included for Pierre Hermé and Ladurée, beloved for their Paris macaron. 

Le soufflé – l’amour, la romance and ladies who lunch, by Barbara Redmond who shares with us her “ladies lunch,” with French food specialist, Deborah Lee Johnson founder of French for A While, and Kathy Morton, a Certified French Specialist, retired professor, and co-recipient of the Julia Child Endowment Fund Scholarship. (Kathy now designs culinary tours for Tour de Forks.) The soufflés, wine and champagne they enjoyed at La Cigale Récamier, a restaurant known for their soufflés, located on a tiny pedestrian street in the seventh arrondissement in Paris. Recipe included for Soufflé au Chocolat (Chocolate Soufflé), recipe by Georgia Downard from Evie Righter’s book, The Best of France: A Cookbook.

Chocolate Mousse — debonair, dark and irresistibly rich! by Barbara Redmond who tells of this crème de la crème of mousses: a supreme seducer. And uncovers the source of the original dish, first known as “Mayonnaise de Chocolat,” created in the 1900s by French post-impressionist artist, Henri de Toulouse-Lautrec. Recipe included for Mousseline au Chocolat (Chocolate Mousse), by Julia Child from her book, The French Chef Cookbook

Text copyright ©2012 Barbara Redmond. All rights reserved.
Illustration copyright ©2012 Michelle Schwartzbauer. All rights reserved.
Illustration copyright ©2012 Barbara Redmond. All rights reserved.